Backup Singer Does Good
Friday, October 20th, 2006It’s Tom Jones fan legend: The musicians union was about to pull the plug on the recording session for Daughter of Darkness in 1969. The union gave Tom 10 minutes — until 10 p.m.— to complete the work. As the clock struck the hour when the musicians must leave or get paid overtime — a true budget-busting measure — there were still 30 seconds left to record. When the trumpeter put down his horn and stopped the session back up singer Reg Dwight objected, noting that the musician had been five minutes late that morning. Shouting ensued, but the session went on and the song was done.
Of course, Reg Dwight changed his name to Elton John and forged a pretty remarkable careeer and life.
We saw Sir Elton John’s show at Caesars Palace tonight and, aside from what we may have thought of the show itself, we have to comment on how gracious John was to his band — introducing each by name and giving a short bio of each individual (including a “go Tigers” for the musician from Detroit) — and the fact that, as he came out for his encore, he thanked the United States of America.
“I had my first hit here and this country has always been wonderful to me,” he said before he dedicated his closing number to “all of you.”
It was nice to hear.
He did note that, unlike every member of his band, he does not live in Los Angeles.
My voice is stronger than ever
Q: You’ve got three dates coming up in Wales. What is it that you miss most about Wales?
A: Oh, the way it looks. When you’re away for a while, you forget how dramatic it all looks: the hills, the valleys – and you don’t see that anywhere else in the world. When I was playing Pontypridd (last year), I’d look around and the hills are there, all around you. I never realised, when I was a child, that they were so close to the town itself. So, that’s the thing I miss most, the look of the place. And, of course, the feel of Welsh people, because that’s where I was brought up.
Q: Did you always have such a powerful voice? A: I always had a strong voice – in school, in chapel on Sunday, singing hymns, my voice was very strong. And when I was singing in the workingmen’s clubs, you had to be strong, in order to get across. When I first began, it was with an acoustic guitar and without a microphone, so you just had to get on stage and sing.
Adding insult to injury, contactmusic.com, which always reprints gossip out of context as if it were truth, again printed the outdated photo of Tom they always use. For this specific story, why not use that nifty one of him with the punching bag wearing those teeny little boxing briefs? Like thie photo to the left?
Sorry it’s a bit late, but here’s the story from the
The reviews keep pouring in, including the third one here in which the reviewer speaks of the crowd’s “collective post-coital glow.” There’s also another review of Tom at the Manchester Evening News (M.E.N.) arena from, naturally enough, the

THE atmosphere at a Tom Jones’ gig has to be seen to be believed. His audience may be wide in age range, but the one thing they have in common is they worship the man.
The box with the photo of John Ferguson in the middle of the story says:
Here’s the first review of the UK tour. Kind of strange but, overall, pretty good. This is the (really bad) photo from the Dorset Echo that ran with the piece.


