Show & Venue Reviews, What's New, Pussycat?
Please share your Tom Jones shows with other fans. Setlist? Audience? Energy? What was it like being there? We’d love to hear from you.
And, while you’re telling us about the shows, please let us know what you think of the venues where Tom plays. Clubs, theaters, casinos — Tom Jones performs in all of them. Which venue do you think is the best? The worst?
So that other fans will know what’s in store when they buy their tickets, please tell us a little bit about the venues you know. If possible, try to use the format below so others can tell at a glance what you think. The best venue will merit ****. More than one review of a venue is welcome.
It’s Getting Boring: Another “Crooner” Review & Again, It’s All About The Audience
Friday, May 30th, 2008Tom’s is not an “oldies” show. He sings his hits but does other stuff, too. This reviewer focused on the over-60 crowd and missed the point — that she had the privilege of watching a master entertainer with an amazing voice fully entertain 2,200 people. If you think it’s worth it, you may want to follow the link just below to the review and, on that page, scroll down and write her. But it’s probably not worth it. And, by the way, we don’t think everyone has to like Tom, or enjoy his show, but to treat his audience as if they’re a bunch of old ladies trying to recapture the past, is outright insulting. It’s just not funny.
Crooner turns on wayback machine
Saturday, May 31, 2008/KRISTI TURNQUIST/ Oregonian
Sometimes a concert isn’t just a show. It’s a time machine, transporting you back to when life was less complicated, adulthood and its concerns were a distant spot on the horizon, and you could feel so happy it seemed like the sensation would never end.
For about 90 minutes Thursday night, Tom Jones took the crowd at Arlene Schnitzer Concert Hall expertly by the hand. He flirted. He teased. And he reminded them how it felt the first time they saw the Welsh sex bomb swivel his hips and lustily belt out It’s Not Unusual.
There were a few men in the audience, but it was mainly a sea of women — some young, most older, with their own reasons for turning out to see the veteran showman, who turns 68 on June 7.
Gayla Johnson, 61, has been a fan since the late ’60s. “This is my fifth concert of his,” the Vancouver resident said. “But I haven’t been to one of his shows for 30 years.”
As Johnson was talking, another woman leaned forward to say that her late mother liked Jones so much she carried a picture of the singer in her wallet: “She was a quiet, devout woman, mother of eight — but she loved Tom Jones.”
A silver-haired woman, overhearing the conversation, volunteered that she wasn’t planning on tossing her underwear toward the stage. “I don’t want to hurt him,” she said, laughing. “He’s older, and I’m bigger.”
Then the lights went down, rumbling noises came up, and it was time to give a warm welcome to the one and only Sir! Tom! Jones!
Lights came up, and Jones appeared, tanned, brown hair completely free of gray, Van Dyke-style beard neatly trimmed, sporting a tomato-red blazer over black shirt and black pants. At the shirt’s open collar, he wore a silvery, sparkly bit of bling. Wasting no time, Sir Tom burst into song, asking the crowd to Raise Your Hand.
Women waved arms in the air. Some rushed to the front of the stage to dance. Jones smiled and sang in a voice as strong as his heyday, while behind him, his tight band played and three back-up singers chimed in.
As he proved weekly on his 1969-71 variety show, This Is Tom Jones, he may not be the most subtle singer in the world, but Jones can perform any kind of music with utter conviction. He started a party with Help Yourself; drew squeals with the melodramatic Delilah; and painted a yearning picture of the old home town and cherry-lipped Mary in the Green, Green Grass of Home.
Jones clearly knows his audience, people who are likely less patient with standard time-wasting concert folderol than a younger crowd would be. The show started on time, there was no tedious opening act, no intermission — just Jones singing everything from the George Jones classic He Stopped Loving Her Today to blues to standards to his playful cover of Prince’s Kiss as an encore.
With a minimum of Vegas-style glitz and just enough banter — when Jones slipped into his low tones, feline growl and description of himself as “two-hundred pounds of heavenly joy” — he sent tingles down the backs of the faithful. He raised pulses with a swaggering version of You Can Leave Your Hat On, purring, “You can take off your dress,” as the crowd at the foot of the stage threw red, black and white underwear aloft.
After one encore, Jones — black shirt glistening with sweat — took his leave. Rows of women stood, applauding. For a moment, the realities of marriage, divorce, deaths of parents, raising of children and everyday stress fell away. In the dimness, just before the lights came on, their faces looked as full of youthful life as when they were girls, sitting in front of the TV, watching their favorite star, dreaming of the future to come.


May 30th, 2008 at 10:49 pm
It’s definitely not worth it - either you get it or you don’t and she didn’t GET IT
May 31st, 2008 at 4:21 am
Like you said one is entitled not to like it. But to see only that side is really sad. I have friends who are in their late 20’s early 30’s and they love Tom. Not a lot of performers of his generation still have the energy, not only physically but also musically. Tom’s passion for what he does is phenomenal, even if you’re not a fan you must see that?
A concert is always about forgetting your problems for a while nothing special about that. Teenagers going to see their favourite garage band or whatever, do it for the same reason. I guess she was trying to explain about how everyone always feels so happy during a show with Tom. But she utterly failed to make it sound like what it is, putting too much weight on the nostalgia aspect and ignoring the positive energy.
May 31st, 2008 at 5:55 am
HELLO?? Was this reporter sitting in the audience? Didn’t SHE have an opinion? I don’t care how old you are, talent is talent. And Sir Tom is so much more than that.
May 31st, 2008 at 9:19 am
So so true Dragonlady - other entertainers pale in comparison to his unbelievable energy, insatiable passion and absolute MAGIC!
BeBe I feel so incredibly sorry for the ones who MISS IT!!
May 31st, 2008 at 10:40 am
OMG, I am so embarassed that she calls herself a “music” critic for the Oregonian. There were fans of all ages and sexes! When I arrived there was a bus unloading a group of silver haired ladies. It is like she just interviewed them then sat in the lobby for the rests of the show. I will not email her–I will call her Monday morning and ask her what her definition of “crooner” is. Michael Buble is a crooner. Tom Jones is THE VOICE!.
June 2nd, 2008 at 1:03 pm
Tom Jones may be a lot of things, but, “crooner” ain’t one of ‘em.
June 5th, 2008 at 12:35 pm
Maybe Kristi Turnquist needs to changed jobs, if she is getting bored. Tom Jones is #1 VOICE.