Our Inside Scoop: It’s Not Chile In Las Vegas*
Tuesday, March 6th, 2007Enjoy these posts, but please continue to check out Fans Favorite Photos on flickr. More are being added each day. We just — Tuesday, 8:15 PST — added 11 new photos including some great never-before-seen candids from the 1970s. We’re having a good time posting the photos for you. And, tomorrow, the last word (we think) from Chile and you’ll see a photo that’s quite a tribute to Sir Tom.
Being back at “The Grand” (MGM) is analogous to slipping into a comfortable shoe. Tom Jones is back, and he’s good! The South American tour had to be quite an ego boost for the almost-67-year-old star. The public’s response to Mr. Jones was extraordinary, as chronicled in recent Scoops and elsewhere on this site.
To go from entertaining 16- and 20,000 people on two consecutive nights just weeks ago in South America, to 740 here at the MGM’s Hollywood Theater in Las Vegas, might prove to be quite a deceleration. But not for this amazing talent. Tom Jones put it in gear and went from 0 to 60 as soon as he hit the Las Vegas stage. Whether carrying 740 or 20,000, those fans who have come for the ride are treated to a high-performance entertainment vehicle that always delivers!
It seems obvious that Tom is very comfortable and proud of his current show, and he should be. The set list has to be one of his best. It’s diverse. It shows his range, and offers a spectrum of emotions. His voice is strong and clear. His showmanship? Superb!
An additional critical aspect to Tom’s very successful show is his band and back-up singers! Enjoying an evening with Tom Jones includes being treated to a band that is polished, strong, funky, skilled, talented and eager. His three back-up singers ably support Mr. Jones’ strong lead vocals. Tom must be pleased and perhaps even inspired by this fine support group of very talented artists. In return it’s evident that this band is gleefully inspired by Mr. Jones to give its all each and every performance. It’s about the synergy. And it happens nightly right before our eyes. This collective, impressive sound wave of talent leaves the stage like a freight train. It engulfs an engaged audience. When it’s over, you walk away and say to yourself, “I had no idea it would be that good.” Your step is lighter as you exit the theater. My friends, it IS that good!
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Tom played the fabled Wembley Stadium in London on Saturday — now he only plays in Glasgow tonight and tomorrow and his European tour comes to an end. Wembley is one we’re sorry we missed as it’s a venue steeped in history. In addition to all the great footballl (British football, that is) matches, there’s been rugby, Olympic athletics and, of course, music. In 1985, Live Aid, the concert for Africa, was held there. The photo at left is from a 1999 clip of Tom at a Welsh rugby match at Wembley Stadium from the
For those who don’t know it, Atlantic City, New Jersey, is perfectly located on the ocean in the southeastern part of the state. For more than a century it’s been a seaside playground with a wonderful boardwalk (first built in 1870) and a real carnival atmosphere in the summer. In fact, the city was such a highly regarded playground for the rich that a Pennsylvania game designer used Atlantic City’s streets on the original, best-selling board game, Monopoly in the 1930s. Since then, the city had fallen on hard times, becoming infested with crime and poverty. In 1978 voters there approved casino gambling, believed to be a cure for the city’s ills. The boardwalk rose again, with massive casino hotels, the first of which was Resorts International, where Tom plays four times each year these days. Of course, the urban issues that plague many citys were not resolved by gaming and, today, as a gaming center, Atlantic City is struggling, competing with the Indian casinos that have drawn much of their large New York patron pool away and with a more spectacular Las Vegas. But, whatever, Tom just rocks on there next to the beautiful ocean.
Picture an aerial view of the Great Meteor Crater outside of Flagstaff, Arizona (left). Reduce that in size 10,000 times. Place a circular stage in the middle of it. Add a lighting grid above it. Fill the bowl with seats separated by five aisles running up from the stage to the exits. Place a large blue tent on top and you have the south Shore Music Circus in Cohasset, Massachusetts.

